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Periodical
Year: 1890 Publisher: [London] : [Office of the Review of Reviews],
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Periodical
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Book
ISBN: 1784997781 9781784997786 Year: 2016 Publisher: Manchester University Press
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"A scholarly edition of three stories by Carmen de Burgos (1867-1932), also known by her pen name of 'Columbine.' De Burgos was an influential journalist, socio-political activist and key literary figure in the cultural ferment of pre-war Madrid and is currently being rediscovered, having languished in relative oblivion during the Franco years ... The book includes the unabridged texts of the stories, vocabulary, notes, chronology, bibliography, 'temas de debate y discusión,' and a critical introduction. Confidencias (1920) is the fictional diary of a young married woman describing her first adulterous relationship and exploiting the narratological possibilities of the diary form. La mujer fría (1922) is a vampire story featuring perhaps the first pitiable vampire, or at least one of the earliest examples of this type, whilst ingeniously maintaining uncertainty as to whether the protagonist is supernatural. Puñal de claveles (1931) narrates a wedding-day elopement and was inspired by a news item, the so-called 'Crimen de Níjar' of 1928. Federico García Lorca drew on de Burgos's story and the real-life crime for his Bodas de sangre, but while his play is tragic, Puñal is bathed in a golden glow of nostalgia for the author's native Andalusia and ends optimistically. This collection will be of interest to students and scholars of Spanish literature and modern literary studies"--Publisher's description.
Book
ISBN: 9024502845 Year: 1973 Publisher: Laren Uitgeverij Luitingh
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World history --- anno 1900-1999 --- 1900-1999.
Book
ISBN: 342600416X Year: 1975 Publisher: München : Droemer Knaur,
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Art --- anno 1900-1999
ISBN: 0826418449 0826418457 9780826418449 9780826418456 Year: 2006 Publisher: New York, N.Y. Continuum
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Fade in -- ##Pt. I. 4'33": sound and points of origin. Sociality of sound: John Cage and musical concepts ; Exposing the sound object: Musique Concrète's sonic research ; Automatic music: Group Ongaku's performative labors -- ##Pt. 2. Box with the sound of its own making: from gags to sculptural form. Rhythms of chaos: happenings, environments, and fluxus ; Minimalist treatments: La Monte Young and Robert Morris ; Conceptualizations: Michael Asher and the subject of space -- ##Pt. 3. I am sitting in a room: vocal intensities. Performing desire/performing fear: Vito Acconci and the power plays of voice ; Finding oneself: Alvin Lucier and the phenomenal voice ; Word of mouth: Christof Migone's Little Manias -- ##Pt. 4. Public supply: buildings, constructions, and locational listening. Tuning space: Max Neuhaus and site-specific sound ; Other architectures: Michael Brewster, Maryanne Amacher, and Bernhard Leitner ; Composing intensities: Iannis Xenakis's multimedia architectures -- ##Pt. 5. Soundmarks: environments and aural geography. Seeking ursound: Hildegard Westerkamp, Steve Peters, and the soundscape ; Language games: Yasunao Tone and the mechanics of information ; Complicating place: Bill Fontana and networking the soundscape -- ##Pt. 6. Global strings: interpersonal and network space. Interactions: Achim Wollscheid's production of the local ; Global events: Atau Tanaka and network as instrument ; Live streams: Apo33 and multiplying place -- ##Fade out --
Art --- anno 1900-1999
Book
ISBN: 9781405192446 Year: 2011 Volume: *3 Publisher: Oxford Wiley-Blackwell
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Book
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Art --- anno 1900-1999
Book
ISBN: 9780230284005 9780230284012 Year: 2015 Volume: *10 Publisher: New York ; Basingstoke Palgrave Macmillan
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Poetry --- anno 1900-1999
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